PMF 2018 Auditions

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課題曲

PMF2018 オーケストラ・アカデミー・オーディション

オーディションを受験する方は、課題曲の楽譜を、標準的なオーケストラ・スタディ、購入可能なパート譜やフルスコアの中から各自で準備してください。

表記に関する注意事項

オーケストラ曲の抜粋は、特に明記のない限り第1奏者のパートを指します。
「rhl」はリハーサル番号または記号、「mm」は特定の小節番号を指します。

持ち替え楽器に関する注意事項

フルートはピッコロの課題曲の演奏は必須です。オーボエ、クラリネットについては、必須ではありませんが、持ち替え楽器(イングリッシュホルン、E♭管クラリネット、バス・クラリネット)も演奏することを強くお勧めします。コントラファゴットなどを含めた持ち替え楽器については、音楽祭会期中は演奏機会が均等になるよう調整します。

録画の際の注意事項

  • 録画の冒頭では、必ず申込者の氏名をはっきりと言うようにしてください(日本語でもかまいません)。
  • 課題曲一覧に記載のあるとおり、協奏曲/独奏曲、各楽器指定のオーケストラ課題曲の順に録画してください。ピアノ伴奏はなしで演奏してください。
  • 映像がない録音のみのデータは無効となります。
  • 録画は編集せずに、1回の録画ですべての曲を録画してください。
  • アップロードするファイルは、全ての課題曲を通して演奏したものを1ファイルか、または、協奏曲/独奏曲とオーケストラ課題曲のファイルに分けて、最大2つとしてください(1曲1ファイルでのアップロードはできません)。
  • 持ち替え楽器での演奏も含め、録画時間は計20分以内としてください。
  • 演奏は2017年11月以降に録画したものに限ります。
  • アップロードが可能なファイル形式は、MPEG、MPG、MP4、OGG、MOV、AVI、WMV、M4V、VOB、FLVです。

STRINGS

Violin

  • Concerto

    1st movement exposition of a Mozart concerto
  • 1st movement exposition of a standard concerto
  • Orchestra excerpts

    Mozart: Symphony No. 39; 2nd mvt., mm. 1-27, 4th mvt., mm. 1-41
  • Mendelssohn: "A Midsummer Night's Dream"; Scherzo, beginning-mm. 99
  • Brahms: Symphony No. 2; 1st mvt., mm. 118-155
  • Prokofiev: Classical Symphony; 2nd mvt., mm. 1-20, and Finale, beginning to one bar before the repeat (mm. 1-90)
  • R. Strauss: "Don Juan"; mm. 1-40

Viola

  • Concerto/solo

    1st movement exposition of the Bartók concerto or Hindemith Der Schwanendreher
  • Orchestra excerpts

    Mozart: Symphony No. 35; 1st mvt., mm. 41-71, 4th mvt., mm. 134-181
  • Mendelssohn: "A Midsummer Night's Dream"; Scherzo mm. 17-93
  • Brahms: Symphony No. 4; 4th mvt., mm. 41-80
  • Tchaikovsky: Symphony No. 6; 1st mvt., mm. 19-62
  • R. Strauss: "Don Juan"; mm. 1-40 (including pizzicato)
  • Mahler: Symphony No. 7; 5th mvt., rhl. 269 to first bar of rhl. 274

Cello

  • Concerto

    1st movement exposition of a standard concerto
  • Orchestra excerpts

    Beethoven: Symphony No. 5; 3rd mvt., mm. 1-18 and 140-213
  • Brahms: Symphony No. 2; 2nd mvt., mm. 1-17
  • Mendelssohn: "A Midsummer Night's Dream"; Scherzo mm. 59-93
  • R. Strauss: "Ein Heldenleben"; mm. 1-24
  • Mahler: Symphony No. 7; 2nd mvt., 1 bar after rhl. 92 to rhl. 93, top line, 6 bars after rhl. 101 to 5 bars after rhl. 102, 5th mvt., 3 bars after rhl. 233 to 4 bars before rhl. 234

Double Bass

  • Concerto

    1st movement exposition of Bottesini Concerto No. 2, Koussevitzky Concerto, or Vanhal Concerto
  • Orchestra excerpts

    Beethoven: Symphony No. 5; 3rd mvt., mm. 1-18 and 140-213
  • Brahms: Symphony No. 2; 4th mvt., 4 bars before rhl. L until rhl. M
  • Mozart: Symphony No. 35; 4th mvt., mm. 1-37
  • Mahler: Symphony No. 7; 2nd mvt., 2 bars after rhl. 74 until rhl. 78 // 3 bars before rhl. 110 to the end // 5th mvt., rhl. 253 to 5 bars after rhl. 256

WOODWINDS AND BRASS

Flute

  • Concerto

    1st movement exposition of Mozart Concerto in G major, K. 313 or D major K. 314
  • Orchestra excerpts

    Beethoven: "Leonore" Overture No. 3; mm. 328-360
  • Brahms: Symphony No. 4; 4th mvt., mm. 97-105
  • Mendelssohn: "A Midsummer Night's Dream"; Scherzo mm. 338 till the end
  • Debussy: "Prelude a l'apres-midi d'un faune"; beginning to mm. 1-4 and 11-30
  • Ravel: "Daphnis et Chloe" Suite No. 2; 3 bars after rhl. 176 to 2 bars after rhl. 179 (please play the E# in the upbeat)
  • Mahler: Symphony No. 7; 5th mvt., rhl. 224 to 226 (revised November 15)

Piccolo (required)

  • Rossini: "La Scala di Seta" Overture; mm. 201-216
  • Tchaikovsky: Symphony No. 4; 3rd mvt., mm. 162-203

Oboe

  • Concerto

    1st movement exposition of Mozart Concerto in C major, K. 314
  • Orchestra excerpts

    Beethoven: Symphony No. 3; 2nd mvt., mm. 8-56
  • Brahms: Violin Concerto; 2nd mvt., solo till mm. 32
  • Rossini: "La Scala di Seta" Overture; mm. 5-21 and 37-53
  • R. Strauss: "Don Juan"; mm. 235-268
  • Ravel: "Le Tombeau de Couperin"; mm. 1-14

English horn
(optional)

  • Berlioz: "Le Carnaval Romain" Overture; mm. 21-37
  • Dvořák: Symphony No. 9 "From the New World"; 2nd mvt., solo
  • Respighi: "Pini di Roma"; 4th mvt., mm. 18-32

Clarinet

  • Concerto

    1st movement exposition of Mozart Concerto in A major, K. 622
  • Orchestra excerpts

    Beethoven: Symphony No. 6; 1st mvt., mm. 474 (2 bars before rhl. K) to mm. 492, 2nd mvt., mm. 68-77
  • Respighi: Pini di Roma; 3rd mvt., mm. 3-19
  • Rossini: Semiramide Overture; mm. 178-187
  • Kodaly: Galanta Dances; mm. 31-65 and mm. 571-579
  • Shostakovich: Symphony No. 9; 3rd mvt., mm. 1-17
  • Mahler: Symphony No. 7; 2nd mvt., pickup to rhl. 69 to 1 bar before rhl. 72

E flat Clarinet
(optional)

  • Shostakovich: Symphony No. 5; 2nd mvt., rhl. 49 to 4 bars after rhl. 50
  • Berlioz: Symphonie Fantastique; 5th mvt., mm. 40-78
  • R. Strauss: Ein Heldenleben; rhl. 14 to 5 after rhl. 20

Bass Clarinet
(optional)

  • Stravinsky: The Rite of Spring; rhl. 5 to 7 before rhl. 7, rhl. 48 to 49
  • Mahler: Symphony No. 1; 1st mvt., mm. 9-13

Bassoon

  • Concerto

    1st movement exposition of Mozart Concerto in B flat major, K. 191
  • Orchestra excerpts

    Beethoven: Symphony No. 4; 4th mvt., mm. 15-25, 184-188, 300-302 and 348-355
  • Mozart: "The Marriage of Figaro" Overture; mm. 101-123, mm. 139-171
  • Rimsky-Korsakov: "Scheherazade" 2nd mvt., 5-26 and cadenza
  • Ravel: "Bolero"; mm. 41-57
  • Stravinsky: "Firebird Suite"; Berceuse Solo
  • Stravinsky: "The Rite of Spring"; mm. 1-13 and 4 bars from rhl. 12
  • Tchaikovsky: Symphony No. 4; 2nd mvt., Solo to the end of the movement
  • Mahler: Symphony No. 7; 2nd mvt., upbeat to rhl. 76 through 1 bar before rhl. 77, upbeat to rhl. 100 through 1 bar before rhl. 101

Horn

  • Concerto

    1st movement exposition of Mozart Horn Concerto No. 3 or No. 4
  • Orchestra excerpts

    Beethoven: Symphony No. 7; 1st mvt., mm. 86-110 (1st horn)
  • Beethoven: Symphony No. 3; 3rd mvt., trio, beginning through beat one of bar 31 (2nd low C) (2nd horn)
  • Beethoven: Symphony No. 9; 3rd mvt., pickup to mm. 83 "Adagio" through first beat of mm. 100 (4th horn)
  • Ravel: Pavane; (1st horn introduction solo)
  • Shostakovich: Symphony No. 5; 1st mvt., 3 after rhl. 17 to first bar of rhl. 20 (2nd horn)
  • R. Strauss: Ein Heldenleben; mm. 1-17 (1st horn)
  • Mahler: Symphony No. 7; 2nd mvt., pickup to rhl. 108 to rhl. 110 (1st horn)

Trumpet

  • Concerto

    1st movement exposition of the Haydn concerto
  • Orchestra excerpts

    Mussorgsky: "Pictures at an Exhibition"; Promenade solo
  • Mahler: Symphony No. 5; 1st mvt., mm. 1-24, and 1 bar before rhl. 13 to rhl. 14
  • Stravinsky: "Petrouchka"; Ballerina's dance
  • Respighi: "Pini di Roma"; 2nd mvt., 8 after rhl. 10 to 10 before rhl. 11 (offstage solo)
  • Mahler: Symphony No. 7; 1st mvt., 3 bars before rhl. 5 to rhl. 5 and rhl. 37 to rhl. 38, 5th mvt, mm. 6-13

Trombone

  • Concerto

    1st movement of F. David: Concertino, Op. 4
  • Orchestra excerpts

    Saint-Saëns: Symphony No. 3, mvt 1, rhl. Q to 2 bars before rhl. R
  • Mozart: "Requiem" Tuba mirum., solo
  • Mahler: Symphony No. 3; 1st mvt., mm. 166-209
  • Ravel: "Bolero"; rhl. 10-rhl. 11
  • Rossini: "William Tell" Overture; mm. 92-131
  • Wagner: "The Ride of Valkyre" (both B minor and B major phrases)
  • Mahler: Symphony No. 7; 5th mvt., rhl. 295 to the end

Bass Trombone

  • Concerto

    Sachse: Concertino in F major (complete)
  • Orchestra excerpts

    Haydn: "The Creation"; No. 26., complete
  • Schumann: Symphony No. 3, mvt. 4, mm. 1-18
  • Kodaly: "Hary Janos" Suite; 4th mvt., 5 after 'Poco meno mosso' (rhl. 5) to 10 after rhl. 6
  • Wagner: Das Rheingold, last 15 bars (trombone IV)
  • Mahler: Symphony No. 7; 1st mvt., 6 bars after rhl. 42 until rhl. 44

Tuba

  • Concerto

    1st movement of Vaughan Williams Concerto
  • Orchestra excerpts

    Berlioz: "Symphony Fantastique"; 5th mvt., mm. 127-147 and 480 to the end
  • Respighi: "Fontane di Roma"; rhl. 11-rhl. 16
  • Wagner: Prelude to "Die Meistersinger"; mm. 158-188
  • Mahler: Symphony No. 7; 5th mvmt., rhl. 295 to the end

PERCUSSION

Note: Applicants must audition for both Timpani and Percussion.

Timpani

  • Orchestral excerpts

    Bartók: Concerto for Orchestra; 4th mvt., mm. 42-50
  • Beethoven: Symphony No. 9; 1st mvt., 18 bars before S to the end
  • Tchaikovsky: Symphony No. 4; 1st mvt., 2 before rhl. T to U
  • Mahler: Symphony No. 7; 5th mvt., mm. 1-15 (rhl. 223 to 2 before rhl. 225)

Percussion

  • Orchestral excerpts

  • Snare Drum

    Prokofiev: "Lieutenant Kije"; 1st mvt., mm. 6-37, 57-61 and 85-98
  • Shostakovich: Symphony No.10; 2nd mvt., rhl. 98 to the end
  • Xylophone

    Britten: "Young Person's Guide to the Orchestra"; Variation M
  • Kodaly: Hary Janos Suite; 6th mvt.
  • Gershwin: "Porgy and Bess"; beginning
  • Glockenspiel

    Dukas: L'apprenti sorcier
  • Respighi: "Pini di Roma"; 1st mvt., 8 bars before rhl. 8 to the end of the mvt.

HARP

Harp

  • Solo

    Debussy: Danse Sacrée
  • Orchestral excerpts

    Bartók: Concerto for Orchestra; 5th mvt., mm. 96-112, mm. 344-356
  • Ravel: Tzigane, Violin & Orchestra rhl. 4 to cadenza, rhl. 12 to 14
  • Ravel: "Alborada del gracioso"; beginning to rhl. 9
  • Tchaikovsky: "Swan Lake"; cadenza
  • Britten: "The Young Person's Guide to the Orchestra"; Variation I and Fugue, I to J
  • Berlioz: Symphonie fantastique; entire harp I part (2nd mvt.)

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