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PMF 2022 課題曲

PMF2022 オーケストラ・アカデミー・オーディション

オーディションを受験する方は、課題曲の楽譜を、標準的なオーケストラ・スタディ、購入可能なパート譜やフルスコアの中から各自で準備してください。

表記に関する注意事項

オーケストラ曲の抜粋は、特に明記のない限り第1奏者のパートを指します。 「rhl」はリハーサル番号または記号、「mm」は特定の小節番号を指します。 「exposition」はソナタ形式の「提示部」を指します。

持ち替え楽器に関する注意事項

フルートはピッコロの課題曲の演奏では必須です。オーボエ、クラリネットについては、必須ではありませんが、持ち替え楽器（イングリッシュホルン、E♭管クラリネット、バス・クラリネット）も演奏することを強くお勧めします。コントラファゴットなどを含めた持ち替え楽器については、音楽祭会期中は演奏機会が均等になるよう調整します。

録画の際の注意事項

  • 録画の冒頭では、必ず申込者の氏名をはっきりと言うようにしてください（日本語でもかまいません）。
  • 協奏曲／独奏曲、各楽器指定のオーケストラ課題曲は記載されている曲順に録画してください。ピアノ伴奏は無しで演奏してください。
  • 映像がない録音のみのデータは無効となります。
  • アップロードするファイルは、全ての課題曲を通して演奏したものを1ファイルか、または、協奏曲／独奏曲とオーケストラ課題曲のファイルに分けて、最大2つとし、録画は編集しないでください（曲間をカットすることは編集に該当します）。
  • 持ち替え楽器での演奏も含め、録画時間は計20分以内としてください。
  • 演奏は2021年12月以降に録画したものに限ります。
  • アップロードが可能なファイル形式は、動画ファイル（MPEG, MPG, MP4, OGG, MOV, AVI, WMV, M4V, VOB, FLVなど）です。
  • 映像の画質は問いません（ファイルの容量が大きすぎる場合はアップロードに時間を要することがあります）。

STRINGS

Violin

  • Concerto

    1st movement exposition of a Mozart concerto
  • 1st movement exposition of a standard concerto

  • Orchestra excerpts

    Brahms: Symphony No. 2; 1st mvt., mm. 118-155
  • Mendelssohn: "A Midsummer Night's Dream"; Scherzo, beginning-mm. 99
  • Mozart: Symphony No. 39; 2nd mvt., mm. 1-27, 4th mvt., mm. 1-41
  • Prokofiev: Classical Symphony; 2nd mvt., mm. 1-20 and Finale, beginning of mvt. to one bar before the repeat sign (mm. 1-90)
  • R. Strauss: "Don Juan"; mm. 1-40

Viola

  • Concerto/solo

    1st movement exposition of the Bartók concerto or Hindemith Der Schwanendreher

  • Orchestra excerpts

    Brahms: Symphony No. 2; 4th mvt., mm. 244-263
  • Mendelssohn: "A Midsummer Night's Dream"; Scherzo mm. 17-93
  • Tchaikovsky: Symphony No. 6; 1st mvt., mm. 19-62
  • Mozart: Symphony No. 35; 1st mvt., mm. 41-71, 4th mvt., mm. 134-181
  • R. Strauss: "Don Juan"; mm. 1-40 (including pizzicato)

Cello

  • Concerto

    1st movement exposition of a standard concerto

  • Orchestra excerpts

    Brahms: Symphony No. 2; 4th mvt., mm. 244-263
  • Brahms: Symphony No. 2; 2nd mvt., mm. 1-17
  • Beethoven: Symphony No. 5; 3rd mvt., mm. 1-18 and 140-213
  • Mendelssohn: "A Midsummer Night's Dream"; Scherzo mm. 59-93
  • R. Strauss: "Ein Heldenleben"; mm. 1-24

Double Bass

  • Concerto

    1st movement exposition of Bottesini Concerto No. 2, Koussevitzky Concerto, or Vanhal Concerto

  • Orchestra excerpts

    Brahms: Symphony No. 2; 4th mvt., 4 bars before rhl. L until rhl. M
  • Mozart: Symphony No. 35; 4th mvt., mm. 1-37
  • Mahler: Symphony No. 1; 3rd mvt., mm. 3-10
  • Beethoven: Symphony No. 5; 3rd mvt., mm. 1-18 and 140-213
  • R. Strauss: Ein Heldenleben; rhl. 9 to the downbeat of 6 bars after rhl. 12

WOODWINDS AND BRASS

Flute

  • Concerto

    1st movement exposition of Mozart Concerto in G major, K. 313 or D major, K. 314

  • Orchestra excerpts

    Brahms: Symphony No. 2; mvt. 1, mm. 149-175, mvt. 4, mm. 216-221, and mm. 325 beat 2 through 352
  • Beethoven: "Leonore" Overture No. 3; mm. 328-360
  • Mendelssohn: "A Midsummer Night's Dream"; Scherzo mm. 338 to the end
  • Debussy: "Prelude a l'apres-midi d'un faune"; beginning to mm. 1-4 and 11-30
  • Ravel: "Daphnis et Chloe" Suite No. 2; 3 bars after rhl. 176 to 2 bars after rhl. 179 (please play the E# in the upbeat)

Piccolo (required)

  • Rossini: "La Scala di Seta" Overture; mm. 201-216
  • Tchaikovsky: Symphony No. 4; 3rd mvt., mm. 162-203

Oboe

  • Concerto

    1st movement exposition of Mozart Concerto in C major, K. 314

  • Orchestra excerpts

    Brahms: Symphony No. 2; 3rd mvt., solo, mm. 1-31
  • Ravel: "Le Tombeau de Couperin"; mm. 1-14
  • Beethoven: Symphony No. 3; 2nd mvt., mm. 8-56
  • Rossini: "La Scala di Seta" Overture; mm. 5-21 and 37-53
  • R. Strauss: "Don Juan"; mm. 235-268

English horn
(optional)

  • Berlioz: "Le Carnaval Romain" Overture; mm. 21-37
  • Respighi: "Pini di Roma"; 4th mvt., mm. 18-32
  • Dvořák: Symphony No. 9 "From the New World"; 2nd mvt., solo

Clarinet

  • Concerto

    1st movement exposition of Mozart Concerto in A major, K. 622

  • Orchestra excerpts

    Brahms: Symphony No. 2, mvt. 4, mm. 56-66, mm. 170-182, mvt. 2, mm. 35-36 (with pickup)
  • Respighi: Pini di Roma; 3rd mvt., mm. 3-19
  • Rossini: Semiramide Overture; mm. 178-187
  • Beethoven: Symphony No. 6; 1st mvt., mm. 474 (2 bars before rhl. K) to mm. 492, 2nd mvt., mm. 68-77
  • Kodaly: Galanta Dances; mm. 31-65
  • Shostakovich: Symphony No. 9; 3rd mvt., mm. 1-17

E-flat Clarinet
(optional)

  • Berlioz: Symphonie Fantastique; 5th mvt., mm. 40-78
  • R. Strauss: Ein Heldenleben; rhl. 14 to 5 after rhl. 20
  • Shostakovich: Symphony No. 5; 2nd mvt., rhl. 49 to 5 bars after rhl. 50

Bass Clarinet
(optional)

  • Stravinsky: "The Rite of Spring"; rhl. 5 to 7 before rhl. 7, rhl. 48 to 49
  • Mahler: Symphony No. 1; 1st mvt., mm. 9-13

Bassoon

  • Concerto

    1st movement exposition of Mozart Concerto in B flat major, K. 191

  • Orchestra excerpts

    Brahms: Symphony No. 2; mvt. 2, beginning through mm. 3, mm. 19-27, and mvt. 4, mm. 13-18, mm. 23-37
  • Mozart: "The Marriage of Figaro" Overture; mm. 101-123, mm. 139-171
  • Tchaikovsky: Symphony No. 4; 2nd mvt., Solo to the end of the movement
  • Beethoven: Symphony No. 4; 4th mvt., mm. 15-25, 184-188, 300-302 and 348-355
  • Rimsky-Korsakov: "Scheherazade" 2nd mvt., 5-26 and cadenza
  • Stravinsky: "The Rite of Spring"; mm. 1-13 and 4 bars from rhl. 12
  • Ravel: "Bolero"; mm. 41-57

Horn

  • Concerto

    1st movement exposition of Mozart Horn Concerto No. 3 or No. 4

  • Orchestra excerpts

    Brahms: Symphony No. 2; mvt. 1, mm. 454-477 (1st horn)
  • Beethoven: Symphony No. 7; 1st mvt., mm. 86-110 (1st horn)
  • Beethoven: Symphony No. 3; 3rd mvt., trio, beginning through beat one of bar 31 (2nd low C) (2nd horn)
  • Shostakovich: Symphony No. 5; 1st mvt., 3 after rhl. 17 to first bar of rhl. 21 (2nd horn)
  • R. Strauss: Ein Heldenleben; mm. 1-17 (1st horn)

Trumpet

  • Concerto

    1st movement of the Haydn concerto, exposition and development (to the high E-flat)

  • Orchestra excerpts

  • Brahms: Symphony No. 2; 2nd mvt., mm. 282-298 and mm. 513-end of mvt.
  • Mussorgsky: "Pictures at an Exhibition"; Promenade solo
  • Bartók: Concerto for Orchestra; 2nd mvt., mm. 90-120 (1st tp) and 5th mvt., mm. 201-254
  • Mahler: Symphony No. 5; 1st mvt., mm. 1-24, and 1 bar before rhl. 13 to rhl. 14
  • Stravinsky: "Petrouchka"; Ballerina's dance
  • Respighi: "Pini di Roma"; 2nd mvt., 8 after rhl. 10 to 10 before rhl. 11 (offstage solo)

Trombone

  • Concerto

    1st movement of F. David: Concertino, Op. 4

  • Orchestra excerpts

    Brahms: Symphony No. 2; mvt. 4, mm. 353-372 and 387-405
  • Mozart: "Requiem" Tuba mirum., solo
  • Saint-Saëns: Symphony No. 3, mvt 1, rhl. Q to 2 bars before rhl. R
  • Rossini: "William Tell" Overture; mm. 92-131
  • Mahler: Symphony No. 3; 1st mvt., mm. 166-209
  • Wagner: "The Ride of Valkyre" (both B minor and B major phrases)

Bass Trombone

  • Concerto

    Sachse: Concertino in F major (complete)

  • Orchestra excerpts

    Brahms: Symphony No. 2; mvt. 4, mm. 353-372 and 387-405
  • Wagner: Das Rheingold, last 15 bars (trombone IV)
  • Schumann: Symphony No. 3, mvt. 4, mm. 1-18
  • Haydn: "The Creation"; No. 26., complete
  • Kodaly: "Hary Janos" Suite; 4th mvt., 5 after 'Poco meno mosso' (rhl. 5) to 10 after rhl. 6

Tuba

  • Concerto

    1st movement of Vaughan Williams Concerto

  • Orchestra excerpts

    Brahms: Symphony No. 2; mvt. 4, mm. 353-372 and 387-405
  • Wagner: Prelude to "Die Meistersinger"; mm. 158-188
  • Respighi: "Fontane di Roma"; rhl. 11-rhl. 16
  • Berlioz: "Symphonie Fantastique"; 5th mvt., mm. 127-147 and 480 to the end

PERCUSSION

Note: Applicants must audition for both Timpani and Percussion.

Timpani

  • Orchestral excerpts

    Beethoven: Symphony No. 9; 1st mvt., 18 bars before S to the end
  • Bartók: Concerto for Orchestra; 4th mvt., mm. 42-50
  • Tchaikovsky: Symphony No. 4; 1st mvt., 2 before rhl. T to U

Percussion

  • Orchestral excerpts

  • Snare Drum

    Shostakovich: Symphony No. 10; 2nd mvt., rhl. 98 to the end
  • Prokofiev: "Lieutenant Kije"; 1st mvt., mm. 6-37, 57-61 and 85-98

  • Xylophone

    Gershwin: "Porgy and Bess"; beginning
  • Kodaly: Hary Janos Suite; 6th mvt.
  • Britten: "Young Person's Guide to the Orchestra"; Variation M

  • Glockenspiel

    Dukas: L'apprenti sorcier (main phrases)
  • Respighi: "Pini di Roma"; 1st mvt., 8 bars before rhl. 8 to the end of the mvt.

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